Sometimes, all it takes is beer.

Cheers!
DSCF0174-M

Germania

DSCF0090-3
Kasselburg Castle, near Gerolstein (Vulkaneifel, Germany)

DSCF0094

Fuji Test Shots

DSCF0078

DSCF0079

Huelight color profiles

Ok, this is a bit of a shout out to Colin Walker from Color Fidelity who makes some amazing color correction profiles for Adobe Lightroom and Adobe Camera Raw. These profiles are calibrated and provide you with the best possible colors from your camera as a proper starting point for your raw development. I used these for my Nikon D800 and I got them again for my Fuji X-T1 and they give equally amazing results.

To see if he has a profile for your camera available, check out one of the links below.

Canon
Fujifilm
Leica
Nikon
Olympus
Panasonic
Pentax
Ricoh
Samsung
Sony

These profiles only cost $15 but speed up your workflow dramatically as you start with the proper baseline. Check it out. I don't think you will be disappointed, but at just $15 there isn't a whole lot you've got to lose anyway.

Not affiliated in any way shape or form, just a happy user.

Fuji Test Shots

Last one. Erasmus Bridge, Rotterdam from the 12 floor of the "Toren op Zuid" building.

DSCF0060

Fuji Test Shots

Another test shot with the Fuji. Erasmus Bridge and skyline Rotterdam

DSCF0057

Fuji Test Shots

Fuji test shot. Erasmus Bridge Rotterdam

DSCF0056

Introducing: European Travel Photos

I am launching a new website called European Travel Photos. I wanted to create a better means to display my photos from all over Europe and show them full screen on your computer. You can turn off the menu system and just watch the photos slideshows full screen, or you can click the info button and read about the trip. It replaces the travel reports section previously on here. It is not finished and not all content is there yet, but I like where it is going. I hope you will too.

You can find the new site in the menu to the right, or by clicking this link.

Scott Kelby’s Adobe Photoshop for Lightroom Users, a reader review

Just a couple of days after I saw the introduction from Scott Kelby about his new book, ‘Adobe Photoshop for Lightroom Users’, I got the ebook version. There was no stock yet on the paper version, and I didn’t feel like waiting for the shipment anyway. Happy

But let me start off with a little bit of background history.

Back in the day, me and all of my friends had Adobe Photoshop on their computers. Not that we could afford to pay for that software, nor did we have any clue about how to use it. But since all the pro’s used it, it was mandatory to have in case you needed to edit an image, right? It didn’t matter that the only thing we understood was the crop tool and the saturation slider.

Today, some things have changed dramatically and some things haven’t changed a bit. I appreciate the hard work software developers put in to create amazing software, so every piece of software on my computers is properly licensed and paid for. However, Adobe Photoshop is still intimidating, probably even more so than it was more than a decade ago. It has so many options and possibilities that it is virtually impossible to learn how to use it properly and effectively without some sort of training and education.

When I started with digital photography, I didn’t like post-processing. I used to say: I didn’t want to develop and print my negatives myself, so why would I want to do exactly that in digital? When I got my first dSLR, a Nikon D70, I quickly found that shooting jpeg cost me a lot of detail. Particularly in the shadow areas, whereas if I shot RAW I could hold on to those details even after I converted them to jpeg. But, since I didn’t like post-processing, that’s all I did: try to set up the camera to produce the look I wanted, shoot RAW and convert 1-to-1 to jpeg and be done with it.

Of course this position was not maintainable, as when you start shooting better images, you also start wanting to get them to look the best when you show them to others. However, while I might have been warming up to the idea of post-processing, I still didn't want to spend exuberant amounts of time processing my images. So when Adobe came with their Lightroom software, I loved it. It let me process my images quickly and intuitively. And each version was better than the previous, letting me do more things quick and easy. Currently, we’re at version 5.3 and I am loving it.

But, as intuitive as it may seem, to get the most out of it, you really need some instruction. I joined kelbytraining.com and NAPP (now combined into one as kelbyone.com, highly recommended), and my Lightroom and processing skills have jumped more in the last year than in several prior years combined. Knowledge is a double-edged sword though: the more you learn, the more you see that you still want to learn. One of the things I found out when watching countless training videos on kelbyone.com is that to really take my post-processing skills to the next level, I needed Adobe Photoshop. Eek! Photoshop is expensive, like really expensive. Like $700 expensive. As an amateur and hobbyist there is no way I can justify spending $700 on a software license I don't use on a very regular basis. As in daily. I looked at alternatives, but they’re not quite the same, and worse, just about all training and tutorials online assume Adobe Photoshop. Then, when I had the chance to join the Adobe Creative Cloud for Photographers @ just $9.99/mo for Photoshop and Lightroom, I jumped on it. $700 may be a bit much in one go, but I certainly can skip two lattes each month to pay for this.

But still, Adobe Photoshop is intimidating. It is so powerful and can do so many different things, how are you going to filter out just the stuff you really cannot do in Lightroom?

This is where Scott Kelby’s book comes in. It is not a huge bible trying to tell you everything there is to know about Photoshop. It doesn’t dazzle you with all the stuff it can do, but you probably will never use. It is just about the things you cannot do in Lightroom, or which are just plain easier to do in Photoshop. This is just such a brilliant idea, I have no idea why it took until December 2013 for someone to publish a book about it.

If you are a member of kelbyone.com or have seen some of Scott’s free training videos from the Kelby Media Group on YouTube, you know Scott doesn’t take himself all too seriously. He’s funny and relaxed and his writing style in this book is exactly the same. Do not let this fool you though. If there is anything he does take seriously, it is his craft and desire to transfer his Photoshop knowledge onto others.

The book is set up very logically. He starts with some of the Photoshop basics that you just need to know to be able to use the program effectively. Things like an explanation of the UI, basic editing features like cloning and patching, transformations, layers (very important) and adjustment layers & filters.

Then he moves on to how you get your images from Lightroom into Photoshop. If you already have a basic understanding of how Photoshop works, then you could skip these first two chapters. Then again, most users buying this book will probably do go going through these chapters regardless of what they think they may know.

In the third chapter, the real stuff is happening. He starts off with smart objects and then goes into how you can stich photos together into a panorama or merge them into an HDR photo. Stitching panos in Photoshop is just too easy to bother with other programs. HDR can be done in a million ways, but they are not exclusive for each other and knowing how to properly do HDR is useful even if you are used to using something like Photomatix. Why? Because Photoshop is pretty amazing lining up the images properly and removing ghosts and it can save the resulting file as a 32b HDR file that you can then tone map in Photomatix if you want. Regardless, more options means more flexibility.

The fourth chapter focusses entirely on portrait retouching. I personally don't do that many portraits, but it is just amazing what you can do and how you can polish 10 years from someones face without it looking like it has been photoshopped.

Chapter five is all about compositing. If you want to be creative with your images or combine/remove features from multiple images into one final one, you need to know about compositing. There are books a mile thick on compositing, and this is not that. This is photography stuff, like removing the background from a subject. Or removing distractions by blending multiple exposures. It’s the more basic compositing you would do as a photographer.

In chapter six, the focus is on adding special effects using filters or text, or changing parts of the image.

Chapter seven is about sharpening and problems like distortion.

The last chapter, eight, is kind of a bonus chapter in which he describes a load of things that you may think you need Photoshop for, but that you can actually do inside of Lightroom.

It really is a great book for people getting into Adobe Photoshop fresh, particularly if they are already using Lightroom. One of the really great features of this book is that all images you see in the book, Scott has made available online for you to work with. So not only can you recreate the results you see in the book if follow the book step by step, but also it allows you to change the sliders and see how that changes the result from the one you see in the book. This is such an important feature and I am so glad he did this. You can do everything you want on your own images but if you don't have a known baseline to which you can compare your own attempts with, it just makes it so much harder to understand what specific tools and adjustments do. But now, you can recreate the result form the book and then start playing with it and it’s like a lightbulb going on in your head.

This book does not pretend to be the be all, end all book about Adobe Photoshop. But it is a great way to learn the basics and get out of the comfortable shoe that is called Lightroom and take a step into a brand new world of Photoshop creativity. The results in your photos will be visible immediately, but at the same time it will probably plant a little seed that makes go and want to learn more and more about Photoshop. I know it did for me.

If you have made it this far, I hope this has helped you a little bit. Thanks for reading.

Links:
http://kelbyone.com
https://creative.adobe.com
http://scottkelby.com

Why do I have to be a pro?

Why is it that just about everybody and just about every photo resource and every other place on the Internet where you see photographers, including G+, assumes that if you have a dSLR you must:

a) Be a pro
b) Learning to be a pro
c) Aspire to be a pro
d) Be a wannabee pro

And that if you have something that is more expensive than a entry-level dSLR with a kit lens, these assumptions become stronger and stronger?

Why is it so incomprehensible that there are (a lot of) people out there that enjoy photography, the toys that come with it and aspire to become better at it, without wanting to be a professional and make money out of it?

Why do people keep telling me I should only put the very best of my photos in a portfolio, without even asking why I am putting my photos online in the first place?

Why is it so completely off this world to understand that I don't want to cull 400 photos of a trip I took down to 3 or 4 great shots I can show off to complete strangers when it is a documentary of my memories I want to be able to share with my friends and family?

Why is it that if I want to put snapshots online for myself, my family and my friends, I should not be using my D800 and it is a total waste? Is it not I who gets to decide the price of my toys?

But worst of all, why do people assume that if I don't want to be a pro and I just want to put my all snapshots online I can't possibly want to learn to be the best possible photographer I can be? After all, I am just a poser wannabee with an expensive camera...

Both my photography and post-processing skills have improved dramatically after watching countless videos from +KelbyTraining.com , ThatNikonGuy, +Adobe Photoshop Lightroom and weeding through Matt Kloskowski's excellent LR resources @ http://www.lightroomkillertips.com. But I still don't want to be a pro.

Please stop assuming I do!

Oh yeah! Finally done!

FINALLY! Yes, it has been a while but I finally managed to put my travel report of my motorcycle trip to Scotland online. You can read all about it here! Enjoy. Happy

Out playing

Last weekend, weather was absolutely gorgious, so I went out playing in the Eifel. Jumped the highway at home, crossing the border on to the German Autonahn towards Bonn. Let her stretch her legs a bit, though I didn't get over 220kph due to weekend traffic. Still nice to legally run this fast. Near Bad Neuenahr-Ahrweiler of the Autobahn and heading to Altenahr, Adenau, Gerolstein, Manderscheid and Wittlich to spend the night in Bitburg. Next day, it was of to Diekirch, Kautenback, Wiltz, Houffalize, La Roche-en-Ardenne and back home through Belgium. Clocked up about 1000km over little bitty twistie roads having loads of fun listening to the sound of the Akra and intakes.

IMG_20110409_2583
Just a little back road.

IMG_20110409_2589
Burg Manderscheid, Manderscheid.

IMG_20110409_2590
A little church in the middle of nowhere.

IMG_20110410_2594
The Beast. Glamour shot. Happy

IMG_20110410_2596
Chateau Bourscheid, Bourscheid (Lux.).


All in all, it wasn’t a bad way to waste away a weekend. Happy